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Sometimes I don’t see                                  have an illogical relation is extremely comforting to me.
                                                               Over and over again the greatest works that mankind

        anything.                                              have erected in the past in their attempts to explain
                                                               omnipotence have surprised me by their imperfection.


        Maria van Elk
        Sometimes I don’t see anything.                        Henk Peeters
        Fortunately I do not remember such an unfortunate      Hall, April 27, 1986
        event.
        Suppose…
        Often I only see very little. It’s recollection disappears
        usually rapidly.
        But sometimes I do see very little although it is enough
        to remember it again and again.
        This came to when I saw for the first time an extensive
        overview of the work of Maria van Elk in the ‘Stedelijk
        Museum Amsterdam’ in 1981.
        There was also extremely little to be seen if one takes
        into account how little was attempted with the paper
        she used for her works.
        Maybe you know me as an expert in the limited field
        of the little. So you can imagine I feel called to let you
        know about the little Maria van Elk has to tell you.
        My experience is that this can’t be done with few
        words. On the contrary: the scope of a statement is
        inversely proportional to what is observed.
        But that happens more often.
        Strictly speaking, her drawings are an explanation of
        reality that can’t be surveyed in all its dimensions.
        From the indistinct amount of images in which reality
        present itself she makes her choice.
        The larger the number of possibilities the smaller the
        choice. From the ever increasing arsenal of materials
        and techniques that are available to an artist only the
        most obvious remain: Banal paper and the common
        piece of chalk.
        Sometimes it seems as if she wants to give us a logical
        explanation of reality since the separate pieces interre-
        late in seemingly logical fashion. Or, in an individual
        piece, a simple law can be observed of which you could
        get the impression that Maria van Elk thinks that
        beyond the boundaries of the paper sheet there is also
        consistency and logic.
        But from this concept I would not like to explain her
        work, primarily because I do not believe in this myself.
        On the contrary, the knowledge that phenomena do


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