Page 79 - 1968 ... 2013 Soft Living Room
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Frottage drawings; In a drawn form a different form    We would like to propose the following to the museum:
            from the one drawn appears. An apparent contrast. In   We will sponsor for an amount of € 7,000 becoming ‘Main
            Circles turned Inside Out the inside becomes outside   sponsor’, to be mentioned at exhibitions as ‘An en Martien de
            and the outside becomes inside.                        Voigt, Gorinchem’.
            Drawing for five minutes;                              Of this amount € 5,000 will be for you as an artist’s fee and €
            In the reflection of the time drawn and the solidified   2,000 for the museum, exclusively for cost of materials.
            movement the property of the material is essential.    The first tranche of your fee, € 2,500, will instantly be paid
            Also in this process the property of the material is an   to you at the start of the project, which must be announced by
            essential subject.                                     the museum in writing and confirmed by you. We will pay the
            Because of the contrasts art becomes an adventure both   rest into your account after completion of the object.
            for the artist and the art lover.                      The cost of materials for the museum, to an amount of
            Simplicity is the sublimation of complexity.           € 2,000, will also be instantly paid to them at the start of the
                                                                   project. This sum will have to be refunded, if, in the unfor-
            Then we come to speak of the Soft Living Room (SLR),   tunate event of the project not getting off the ground and
            which appears to have been exhibited at the Technical   sufficient materials not having been bought yet. The cost of
            University Eindhoven in 1971. Because of my contacts   materials must be justified by invoices afterwards.
            there and my former chairmanship of the ‘Studium       All this will be laid down in a contract, which will be signed
            Generale’ she asks me to make inquiries. Unfortunately,   by the museum, by you and by us.’
            however, nobody remembers anything about the Soft
            Living Room.                                           This contract is drawn up and signed on 9 July 2013.
            Then she receives good news from the Schiedam curator   Although you have made some preparations already, it
            Colin Huizing that he wants to exhibit the SLR after all   will appear to be difficult to finish the SLR in time for
            during the great retrospective exhibition in September   the opening of the exhibition (15 September 2013). A few
            2013 I love Holland; Dutch art after 1945, which will run   months of extremely hard work follows, in a studio in
            until September 2015. The reason is that also this work   Amsterdam specially arranged by Colin Huizing. Finally,
            had at some time been in the possession of the Schiedam   after a lot of blood, sweat and tears, the Soft Living Room is
            museum, was left in the attic as a pigeon nesting place and   installed in Schiedam in time for the opening.
            later ended up at the national ‘Cultural Heritage’ insti-  We are delighted to see the wonderful, big black-and-white
            tute, where it was obviously destroyed in 2012. Colin then   circle, in which the velvety black-and-white objects are not
            decides to set up a work force to reconstruct the SLR and   only caressing for the skin, but also a delight for the eye. It
            starts looking for sponsors. Maria is enthusiastic to redo   is indeed a jewel in an exquisite exhibition and amidst the,
            the whole work and starts looking for photographs and   for us, interesting art of the sixties and seventies.
            original drawings, although time is short for the recon-
            struction of such an extensive project. We are also enthu-  Martien de Voigt, February 2017.
            siastic about it, the more so after she sends us photographs
            and articles of this earlier work, in which we recognize
            many concepts that are further examined in her later
            works. Then we write to her as follows:
            ‘What energy, Maria, to reinstate the Soft Living Room,
            but this will really take some doing. Therefore An and I have
            decided to sponsor this project. This will probably encourage
            you and the well intentioned people of the Schiedam Museum.
            Besides, we do not have enough room at home for such a
            monumental work. In this way we can spend some money
            on the work and enjoy it later when it is exhibited in the
            museum, as appears to be their intention.


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